Breaking news from the concert-ticket trade
By | September 18, 2006
Primus |
ALICE COOPER | October 29 at the Orpheum Theatre, Boston | $29.50 + $36 | on sale Friday at 10 am | 617.931.2000 | G. LOVE & SPECIAL SAUCE | November 21 at Avalon, Boston | $25 | on sale Friday at 10 am | 617.931.2000 | PRIMUS | November 12 at the Orpheum Theatre, Boston | $35 + $40 | on sale Saturday at 10 am | 617.931.2000 | BRIAN WILSON | November 17 at the Orpheum Theatre, Boston | $35-$75 | on sale Saturday at 10 am | 617.931.2000 | PIEBALD | November 25 downstairs at the Middle East, Cambridge | $12 | on sale Saturday at 10 am | 617.931.2000 | DAN BAND | December 9 at Avalon, Boston | $20 | on sale Saturday at 10 am | 617.931.2000 | JAMES TAYLOR | October 12, 14, 15 at the Wang Theatre, Boston | $48.50-$99.50 | 617.931.2000 | LADY SOVEREIGN | October 26 at the Paradise, Boston | $15 | 617.931.2000 | ROONEY + BEN LEE | October 30 at the Paradise, Boston | $16.50 | 617.931.2000 | ZIGGY MARLEY | November 12 at the Roxy, Boston | $28 | 617.931.2000
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They may call each other Panda Bear and Geologist, but these boys can kick out the wibbly-wobbly jams.
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Interviewing Robert Schneider is one of the toughest gigs in music journalism, and not because the guy’s anything but a perfect gentleman.
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For pure output, not many local bands can top the Leftovers, who next week drop their fourth full-length album, Eager to Please , with Oglio/Crappy Records, since 2005's debut, Stop Drop Rock & Roll (and they had an EP before that). And we won't even take away points because "full-length," for them, doesn't quite reach 40 minutes.
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It’s every band’s dream, really: DEAD SEASON have secured a JAGERMEISTER sponsorship.
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Sara Cox is near to setting a date for the release of her much-anticipated follow-up to 2003’s Arrive.
- Cause for pause
The Ogunquit Playhouse’s final show of the season is a musical for the ages — for the ages, that is, of about 45 to 60.
- Jeff Murphy
From Zion, Illinois, the Shoes were an odd combination of romantics and gearheads, combining classic-model pop songwriting with pristine sonics.
- Nadia Oh
In relative terms, no music is “good” or “bad” — it just needs to be heard in an appropriate setting.
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As the Web has evolved, becoming more and more democratized, capable of being customized and used in ever more ways, a funny thing is happening. Wanna be startin' something?: A five-step guide to being a new web millionaire. By Bill Jensen
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Topics:
Music Features
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