FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies

Review: Cracks

Bond girl breaks bad
By PETER KEOUGH  |  April 21, 2010
3.0 3.0 Stars

In her debut feature, Jordan Scott (daughter of Ridley) has conjured a lovely oddity combining elements of The Prime of Miss Brodie, The Children’s Hour, If, The Belles of St. Trinian’s, and even a bit of Lord of the Flies. It takes place in 1934 at a stately, prison-like girls’ school on an isolated island.

The flamboyant Miss G. (Bond girl Eva Green) dominates this realm, and her tales of adventure and paeans to desire have enraptured her young charges, especially her acolyte and favorite, Di (Juno Temple). Then Fiamma (Maria Valverde), a melancholy Spanish aristocrat, arrives, makes the others look like ugly ducklings, and even rivals and charms Miss G. with her beauty, worldliness, and athleticism.

The chaos that ensues is predictable, but not the consequences that follow. It’s all dreamily photographed and for the most part impeccably acted — the exception being Green, who at times postures like Gloria Swanson in Sunset Boulevard.

  Topics: Reviews , Entertainment, Movies, Arts,  More more >
| More


Most Popular
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   ALTERNATIVE MEDIA AT THE BJFF  |  October 31, 2012
    After six decades of futility, maybe it's time for a new approach to achieving peace between Israelis and Palestinians. Some of the films in this year's Boston Jewish Film Festival offer solutions that sound a little crazy, except when you consider the alternatives.
  •   REVIEW: FLIGHT  |  November 01, 2012
    If Whip Whitaker (Denzel Washington) could land a doomed plane and save the lives of almost all the passengers while in the midst of a coke- and booze-fueled bender, imagine how well he'd do if he was sober.
  •   REVIEW: THE DETAILS  |  November 01, 2012
    God is not in these details. Jacob Aaron Estes's black comedy gets so dark that it's not even funny.
  •   REVIEW: A LATE QUARTET  |  November 01, 2012
    Unless Ken Russell is directing, films about musicians seldom are as exciting as the music they make.
  •   REVIEW: HOLY MOTORS  |  November 02, 2012
    Rivaling The Master in the weirdness of its opening scene, Leos Carax's first film since Pola X (1999) begins with a long take of an audience staring out at the audience watching the movie.

 See all articles by: PETER KEOUGH